I highly recommend cinephiles check out both versions. But Director X’s woke and super heroic take on the material hit a sweet spot that I can’t shake, providing both an energetic action film and a barn burner of angry Black youth sentiment. It simply birthed too many imitators to ever truly become forgotten. There’s no doubt that O’Neal’s Priest and the original film are more iconic and will stand the test of time even decades from now. Maybe I just prefer Superfly ’18 because I’m so personally frustrated by the current political and social climate (not to mention the state of race relations in America today), that the satisfaction factor was simply higher for the modern version. And having their fingers on the pulse of a generation who need to see their heroes coming out on top against odds that are stacked as improbably against them as they’re experiencing in their current day to day life. Director X and writer Alex Tse won’t be up for many awards come year’s end, but what they potentially lacked in nuance or craft, they made up for in entertainment factor. There are times when the digital photography feels cheap, and there’s a chase scene that is outright ugly and sloppy. And while Superfly ’18 is slick in its own way, similar criticisms could be leveled. There’s a lot of dead space in the original film that contributes to its somewhat languid pace and highlights that although the sum of its parts added up to a film that’s stood the test of time, at least some of the Super Fly phenomenon had to do with being in the right place at the right time, and not necessarily because of the genius of craft on display. Gordon Parks, Jr.’s direction of the film leaves something to be desired, with lots of extraneous shots of people getting in and out of cars or simply walking from one place to the next. The Warner Archive’s presentation of Super Fly on Blu-ray is quite pleasing, with an appropriately grainy and natural feel to the high definition scan. Rather than take away the tension, our certainty that Priest will come out on top in 2018 gives it a most satisfying and fist-pumping conclusion… complete with a thrown in confederate statue being blown up and Priest beating the shit out of a uniformed cop who had murdered a black man on the job in a most brutal fashion. Priest’s quest to transcend the system must take on almost supernatural odds, and in doing so helps the audience feel throughout that he is going to succeed. It feels right for Priest to not only have the best skills, best outfits, and the most strict discipline, but also to have a mastery over freakin’ crypto-currency. Racism is alive and thriving both in more overt ways and in more insidious ones. The super heroic version of this tale mythologizes Youngblood Priest in a new era of chaos in which threats to the black community are more amorphous and multi-faceted than they used to be. This may sound like a criticism of Superfly, but in all honesty is does the narrative quite a few favors. It’s as satisfying today as it must have been for audiences in the 1970s, and makes up for a lot of the film’s sloppy direction and clumsy editing by today’s standards. And in the end, Priest gets to outsmart The Man, tell him to go to hell, and walk off into the sunset free and clear. His lifestyle is chronicled more so than judged or condemned. ![]() ![]() He’s a man who feels trapped in the game and desperate to do just about anything to get out. Ron O’Neal’s Priest, himself both a cocaine user and dealer, is the HERO of this story. Perhaps most significantly, the story it told and the reality it pointed a spotlight towards, was fairly unprecedented and historically relevant. The garish styles and vehicles, played entirely straight and utilized to authentically portray a certain time and place in African-American culture in New York City, have been eternally referenced or played for laughs ever since. The Curtis Mayfield tracks have potentially had even more staying power than the film itself, with very few adults unaware of “Pusher Man”, or the title track. This exploration of both Super Fly (1972) and Superfly (2018) will spoil both films with abandon.Īmong the early and most sacred films in the Blacksploitation cannon, 1972’s Super Fly is a towering pillar in many circles. ![]() Join us as we explore this treasure trove of cinematic discovery! The Archive has expanded to include a streaming service, revivals of out-of-print DVDs, and Blu-rays. established the Archive Collection, a Manufacture-On-Demand DVD operation devoted to thousands of idiosyncratic and ephemeral works of cinema. As home video formats have evolved over the years, a multitude of films have found themselves in danger of being forgotten forever due to their niche appeal.
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See Section 4.7, “Guest Properties”.Īdditionally, applications can be started in a guest from the Which have special meanings for controlling and monitoring the To exchange data bits between a guest and a host, some of Properties provide a generic string-based mechanism The Guest Additions enable you to control See Section 4.6, “Seamless Windows”.Ĭhannels. Section 4.5, “Hardware-Accelerated Graphics”.įeature, the individual windows that are displayed on theĭesktop of the virtual machine can be mapped on the host'sĭesktop, as if the underlying application was actually running If the Guest Additions are installed, 3D graphics and 2D videoįor guest applications can be accelerated. Section 1.8.5, “Resizing the Machine's Window”. Will be automatically adjusted, as if you had manually entered You can resize the virtual machine's window if the GuestĪdditions are installed. In addition, with Windows, Linux, and Oracle Solaris guests, Modes, as well as accelerated video performance. The custom video drivers that are installed with the GuestĪdditions provide you with extra high and non-standard video The virtual graphics card which Oracle VM VirtualBox emulates forĪny guest operating system provides all the basic features, Operating system as a network share, irrespective of whether Oracle VM VirtualBox to treat a certain host directory as a sharedįolder, and Oracle VM VirtualBox will make it available to the guest Much like ordinary Windows network shares, you can tell Mouse driver on your host and moves the guest mouse pointerĪn easy way to exchange files between the host and the guest. Installed in the guest that communicates with the physical ![]() To make this work, a special mouse driver is Pointer and pressing the Host key is no longer required toįree the mouse from being captured by the Section 1.8.2, “Capturing and Releasing Keyboard and Mouse”, this feature provides Overcome the limitations for mouse support described in This chapter describes the Guest Additions in detail. Your life much easier by providing closer integration between hostĪnd guest and improving the interactive performance of guest For any seriousĪnd interactive use, the Oracle VM VirtualBox Guest Additions will make ![]() Installing operating systems in a virtual machine. The previous chapter covered getting started with Oracle VM VirtualBox and Controlling Virtual Monitor Topology 4.11.1. Using the Guest Control File Manager 4.9. Using Guest Properties to Wait on VM Events 4.8. Hardware 2D Video Acceleration for Windows Guests 4.6. Hardware 3D Acceleration (OpenGL and Direct3D 8/9) 4.5.2. Guest Additions for Oracle Solaris 4.2.4. Installing and Maintaining Guest Additions 4.2.1. ![]() 3.5mm extension cord with inline volume control (i didn't have one, so i made one from a set of headphones with an inline control and an 3.5mm extension cable) to connect the analog output of the 360 to the analog microphone input of the computer. RCA Female to Female adapter (AV to AV) to join the Xbox Analog Audio Out to the next item. Xbox 360 Model 1 outputting via Composite Video 3. Eas圜ap DC60 (Syntek Model, most common) 2. The following were used in this tutorial: 1. So in doing this like i have (or in a similar manner, as i had to jury rig something that i couldn't find in a store), you will only need a few things, and pictures will apply where need be for reference. ![]() I want to aim this tutorial at people who want to use a GNU/Linux-based operating system like Ubuntu or Linux Mint (or even Arch if you feel up to it) who may have a 3-5 year old computer like an older tower kicking around, collecting dust having issues with getting the Easycap to work under Windows (i had issues even with the proper drivers, as the disc that came with mine did not have the drivers, and wouldn't let me use the included software), or not liking the awkwardness of some other capture software, and you simply want to play the game and record it at the same time without the need for a signal splitter, lag, or significant cost, as, besides the Eas圜ap and a few cables, this shouldn't cost you a cent, or even have you agree to a EULA, meaning that this would be more Free Thought than Free Beer, but free nonetheless. As well, be warned: these devices can lag under other means, like Virtual Dub or other programs that do not allow dshow cache access. A note: no matter what someone says, there are no 'counterfeit' Eas圜ap devices on eBay, just different chipsets depending on what version you happened to get from the usually China-based vendor (Mine just happens to be the Syntek model with the low quality audio input). The Eas圜ap itself usually runs for around -$10 on eBay. The Materials needed will be only a few simple ones, mostly found at local Dollar/Discount Stores. This tutorial is an overview on how to use VLC to capture the audio and video streams from a device using an Easycap DC60 (Syntek Chipset) and the 3.5mm stereo microphone input of a computer running Xubuntu 13.10 64-Bit. New fonts added with macOS 10.
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